Division Card Games for Kids

Division Card Games for Kids Once your child starts to get a handle on her multiplication facts, it’s time to start looking at the inverse function of multiplicationdivision. If your child is confident in knowing her times tables, then division may come a little bit easier to her, but she’ll still need to practice. The same card games you play to practice multiplication can be modified to practice division as well. What Your Child Will Learn (or Practice) Your child will be practicing equal division, division with remainders, and number comparison. Materials Needed You will need a deck of cards with or without the face cards removed Card Game: Two-Player Division War This game is a variation of the classic card game War, although, for the purpose of this learning activity, you will deviate a little bit from the original rules of the game. For instance, instead of asking your child to remember the number value of the face cards, it’s easier to place a small piece of removable tape (masking tape or painter’s tape works well) in the top corner of the card with the number value written on it. The values should be assigned as follows: Ace 1, King 12, Queen 12, and Jack 11. Insert the face cards back into the deck, shuffle and then deal the cards evenly and face down between the players.On a Ready, set, go! count, each player turns over two cards.Both players can use any of the four visible cards to try to find a fact family with which they can then place in sequential order to make a division problem. For example, if Player One revealed a 5 and a 3, and Player Two turned over a King (12) and a 4, either player could snatch up the 4, 3, and King to create the division sentences: King à · 4 3 or King à · 3 4.The winner of the hand is the first player who is able to recognize and lay out a division problem. Of course, the other player can check the math first!Each player should take back his unplayed cards and start an unused pile. As the game continues, each player turns up two new cards and the cards in his unused pile. This provides more opportunity for players to create division problems. If both players can create a problem using different cards, they both win the hand. The game is over when there are no more cards left, or the players are unable to make any more division problems. Card Game: Division Go Fish The Division Go Fish card game is played almost exactly the same way as the Multiplication Go Fish card game is played. The difference is that instead of creating a multiplication problem to give a card’s value, players have to come up with a division problem. For example, a player who wants to find a match for his 8 could say Do you have any 16s divided by 2s? or I’m looking for a card that is a 24 divided by 3. Deal six cards to each player and place the rest of the deck in the middle as a draw pile.When the first player says his math sentence, the player who is being asked for the card has to do the division, come up with the correct answer and hand over any matching cards. If there are no matches, the first player draws a card from the deck.When a player runs out of cards or the draw pile is gone, the game is over. The winner is the player with the most matches.

Biography of Hannah Höch, Co-Founder of Berlin Dada

Biography of Hannah Hà ¶ch, Co-Founder of Berlin Dada Hannah Hà ¶ch Facts Known for:  co-founder of Berlin Dada, an avant-garde art movementOccupation:  artist, the painter, especially noted for her photomontage workDates:  November 1, 1889 – May 31, 1978Also known as Joanne Hà ¶ch, Johanne Hà ¶ch Biography Hannah Hà ¶ch was born Johanne or Joanne Hà ¶ch in Gotha. She had to leave school at 15 to take care of a sister and was not able to resume her studies until she was 22. She studied glass design in Berlin from 1912 to 1914 at the Kunstgewerbeschule. World War I interrupted her studies, temporarily, but in 1915 she began studying graphic design at the Staatliche Kunstgewerbemuseum while working for a publisher. She worked as a pattern designer and writer on womens handicrafts from 1916 to 1926. In 1915 she began an affair and artistic partnership with Raoul Hausmann, a Viennese artist, which lasted until 1922. Through Hausmann, she became part of the Berlin Club Dada, the German group of Dadaists, an artistic movement dating from about 1916.  Other members besides Hà ¶ch and Hausmann were Hans Richter, George Grosz, Wieland Herzfelde, Johannes Baader, and John Heartfield.  She was the only woman in the group. Hannah Hà ¶ch and Dadaism She was also involved, after the first World War, with political radicalism, though Hà ¶ch herself expressed herself less politically than many of the others in the group.  The Dadaist sociopolitical commentary was often satirical. Hà ¶ch’s work is known for more subtle explorations of culture, especially gender and portrayals of the â€Å"new woman,† a phrase describing that era’s economically and sexually liberated women.   In the 1920s Hà ¶ch began a series of photomontages including images of women and of ethnographic objects from museums.  Photomontages combine images from popular publications, collage techniques, painting, and photography.  Ã‚  Nine of her works were in the 1920 First International Dada Fair. She began exhibiting more frequently starting in the late 1920s. One of her most famous works was Cut With the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch of Germany,  portraying German politicians in contrast with (male) Dadaist artists. From 1926 to 1929 Hà ¶ch lived and worked in Holland. She lived for some years in a lesbian relationship with Dutch poet Til Brugman, in the Hague first and then from 1929 to 1935 in Berlin.  Images about same-sex love appear in some of her artwork of those years. Hà ¶ch spent the years of the Third Reich in Germany, forbidden from exhibiting because the regime considered Dadaist work â€Å"degenerate.†Ã‚  She tried to remain quiet and in the background, living in seclusion in Berlin. She married the much-younger businessman and pianist Kurt Matthies in 1938, divorcing in 1944. Though her work was not acclaimed after the war as it had been before the rise of the Third Reich, Hà ¶ch continued to produce her photomontages and to exhibit them internationally from 1945 until her death. In her work, she used photos, other paper objects, pieces of machines and various other objects to produce images, usually quite large. A 1976 retrospective was displayed at the Musà ©e dArt Moderne de la Ville de Paris and the Nationalgalerie Berlin. More Information About Hannah Hà ¶ch Categories: artist, photomontage, DadaistOrganizational Affiliations: Dadaism, Berlin Club DadaPlaces: Berlin, Germany, HollandPeriod: 20th century Print Bibliography Hannah Hà ¶ch. The Photomontages of Hannah Hoch. Compiled by Peter Boswell.